Sometimes I just need to forget any rules and submit to a riot of colour.
I love this, why? I have no idea! I just know it is a good shot and the colours are fantastic.
My reaction to this is to say – pure fun.
In case you are wondering where this was taken, it is a detail in the famous long borders at Newby Hall in the UK.
Emotions are tricky things. It is so easy to get it wrong and strike a discordant note.
All photographs evoke an emotional response at some level.
In my experience pictures with powerful emotional content are rarely manufactured, and tend to be found.
I found this composition – I’m interested in what you think:
People I’ve shown this to have reacted in the same way, it seems to pull at the heartstrings.
The composition is quite simple using framing and a central theme that compliments the portrait format.
The blurred nature of the picture seems appropriate too.
If you are affected by this picture I can offer reassurance if you leave a comment.
Breaking the “rules”
It is impossible to separate your own work from influences by others because we are immersed by so much visual imagery. Occasionally I find other people’s work challenging and inspiring.
I try to avoid talking about hard rules of composition because the danger is that we conform to them and stop thinking for ourselves. The pictures everyone takes tend to become similar and rather uninspiring.
For me good photography captures our attention and provokes an emotional or instinctive response. Such was the case when I looked at the pictures an acquaintance had taken they were urban landscapes taken at striking angles and I stopped and looked hard at them.
On reflection I realised they were attention grabbing because they were different, and it made me wonder if we all follow standard rules of composition we will end with a rule of thirds world surrounded by perfectly aligned verticals and horizontals and actually rather dull…
So I had another go at isolating details in a landscape, an urban one this time, and produced three pictures for this blog.
My favourite is this photograph, I like the unease created by the tension between the familiarity of the building and the unfamiliarity of the view.
- What makes this picture different is the way the white stripes capture the eye and become the dominant vector in the picture.
- I use the term vector to mean a compositional element that has both magnitude and direction
- We tend to read pictures from left to right (see earlier post on this) and this makes us perceive the white stripes descending
- This creates the perception that the building is falling and instills a vague sense of unease that holds the attention.
- Dont believe me? have a look at the other pictures
Another arresting picture below, same building,
- This time we read the white stripes as ascending from left to right and the sense that the building is falling is lessened.
- Including the sky gives more of a reference for the picture and lessens the sense of oppression
- The overall effect is the perception of less unease when the lines lead the eye upwards:
And the more obvious picture
What do you think?
I noticed these beehives at Hartwell House and felt an instant attraction.
The gentle shades of colour of the hives compliment the rich texture of the background of the brick wall.
This was a day when I set out not really expecting to capture a good picture, it was overcast, a bit dull and raining. These lighting conditions suit this subject perfectly bringing out the textures and letting the colours do the work.
Some people recommend using an odd number of elements in any composition. I would challenge that view. The even number of elements (4 hives) seems to work quite well for me, what do you as the viewer think, please leave a comment to tell me.