A place to think about composition in photography

landscape format

Lifeboat House, Norfolk

If you’ve ever been disappointed with an overcast cloudy sky, it is worth noting that the calm even light is very good for details in a landscape.

IMG_3117_7x5


Blue Swirl

The National Trust is a wonderful part of British life.  Even better, they allow photography in their stately homes and precious houses.  Thank you.IMG_6387_7x5


Le Tour – Kettlewell

The Tour de France comes to Yorkshire in July 2014 and the locals along the route have been decorating all the villages with a variety of yellow flags, jerseys and bikes.

The locals have a long tradition of set dressing their villages, many have scarecrow festivals, now they have a scarecrow on a bike

I saw this straw man just over the bridge into the delightful village of Kettlewell.  A friend of mine is lucky enough to live here.

Straw man on a bike at Kettlewell for the Tour de France

Straw man on a bike at Kettlewell for the Tour de France

The composition is fairly straightforward, the dominant colour is Yellow which advances and contrasts against the grey clouds in the background.  The main lead-in is the road, also look for two minor lead-ins that echo one another, the white dashed road markings on the left and the yellow flags offering a similar punctuation on the right.

Oh and this was taken on my iPhone.

 


Planning, Patience and Presence

I receive a lot of mail about the quality of light at the time the picture is taken.

Photoshop can only do so much.

Memorable photographs are created with a combination of Planning, Patience and Presence to respond to the moment. Or, as some may say – luck 🙂

Climbing the wall

Climbing the wall

This picture was taken at the Yorkshire Sculpture Park.  I knew the sun would shine through the wooden grille in the café.

The shadows cast by the people in the café caught my eye so I waited.  And waited a bit more.

Then a child started to climb the grille, and this is picture I captured before Mum gently brought her mountaineer back to earth.

This one catches my eye as I scan through the thumbnails of my collections so I think you’ll like it too.


Easter Tulips

I went to my parent’s house the other day. Mum had been given a bunch of tulips that she had put in a vase by the window.

We are a close family and I’m one of the lucky ones that still has Mum and Dad around and in good health (long may that continue)

As I put on my coat in the hall I happened to glance round at the tulips.  The sun shining through the window brought out the intensity of the colours in both the flowers and the garden beyond.

Easter Tulips

Easter Tulips

The hall window has patterned glass and the leaf pattern seemed to harmonise with the green of the sunlit lawn beyond.

I’m happy with this picture, thanks Mum and Dad.  By the way, this is another one taken on my iPhone.  No photoshop treatment apart from slight cropping.

 


Curves

Colours and lines attract me.

This picture is a variant on the lead-in style of composition.

IMG_7362a7x3

Curves

I like the simplicity of the composition, the dynamic sweeps of the curves are a powerful effect.

You’ll know I’m quite aware of the horizon in my pictures.  In this one the eye searches out a line and the only one that matches our preconceptions is the roughly horizontal line right at the top of the image.  This adds to the powerful effect and holds the attention. Well, it works for me anyway, tell me what you think…


Three Dots in Manchester

I find producing these abstract pictures rather rewarding.

This is another one taken on my iPhone.  It is a straight shot again, very little done in photoshop except for minor cropping.

Three Dots - Manchester

Three Dots – Manchester

This is part of the one square km series as this was taken within a small area.

Working within constraints of technology, time and space is something I find fascinating.  I hope you do too.