A bit of winter sunshine, taken in Greece.
I was drawn to the simplicity of the stark geometric shapes and reduced colour palette.
This is a block of flats, painted white to reflect the merciless heat of the sun, with a blue sun screen canopy on the top floor.
I thought about photoshopping the bushes that stick out from each floor, but they break up the brutality of the architecture and add interest. These distractions from the strong composition add interest that makes the viewer look longer.
The thought processes can flash through one’s mind – “I wonder what they are, Ah, herb bushes. Someone must look after them. A hint of humanity. I wonder what it’s like to live there…”
Composition is more than pure geometry, it gets engaging when our curiosity is linked to people, even in small ways.
We were staying with some friends in London. I like London a lot. I first came here when I was ten, on a school trip and my love for this city has never left me. I am always impressed by the quiet spaces and secret places that London preserves to insulate us from the noise and rush of the city.
One sunny morning I spent some time in quiet contemplation on the balcony. I was looking at the London skyline and watching the jets glide overhead, wondering where all those people were coming from and going to. Then I looked down.
I didn’t have my ‘proper’ camera to hand, so out came my trusty iPhone again. A quick dust of the lens and I had this picture.
Threes are often quoted as a pleasing number for composing pictures. I do have an iconoclastic streak when it comes to rules, but in this case I’ll go along with that. Especially when it helps to be playful with the language.
This works for me. I hope it works for you too.